2020 Vision Quilt

As we approach a year since Quiltcon 2022, I’m finally feeling the need to document for more permanence the story of my quilt that won Best In Show.

To say I was surprised to win this honor is an understatement. I knew before the award ceremony that I had won something but honestly I was convinced it was a consolation prize of sorts. Because I didn’t want to disturb precious time with a friend (we had not seen each for two years!) we were sipping margaritas in our Airbnb when my phone started blowing up with texts. I remember saying to Bianca that we would figure what all the ruckus was about in the morning. Of course she would have nothing to do with that idea and captured my shock in the moment.

How to explain the story of this quilt I have a love/hate relationship with?

(This is a bit of my family and my story and is not an official position of my employer.)

I experienced the year 2020 like many throughout the world, rushing to the stores to find toilet paper, welcoming home kids who had to convert to online expensive Zoom College (with our iffy rural internet access no less), making lots of homemade bread and sewing up masks galore. I also experienced the year 2020 as an Emergency Medicine Physician who works at two of the biggest ERs in California, a place where the first recorded Covid death in the state came through our doors and as the spouse of another ER doctor who was experiencing the same thing at his hospital

In March of 2020 as the news of Covid in China and Italy was rampaging and taking down so many doctors and nurses with it, I went to every paint store and Home Depot within a 60 mile radius and bought as many N95 masks I could find. I actually found a hospital administrator for another health system doing the same thing on my scavenger hunts.

Many of my colleagues moved into their garages or moved their families to inlaw’s homes to keep them safe. We all would come home from work and strip our scrubs in the garage or at the entry way to our houses so as not to carry anything harmful into our living spaces. We initially didn’t know for sure how covid was spread and we were very careful about every interaction.

In the early days “Healthcare Hero” signs and stickers showed up everywhere somewhat to our surprise because just like all folks we were just doing our jobs. My wise husband said at one point “be careful about taking on the moniker of Hero because today’s Heroes are often tomorrow’s enemies”. With the ongoing politicization of this disease his warning in retrospect feels scarily prescient.

Like for most people, the days of 2020 felt long and similar either at work or glued to a screen inhaling nonstop news about covid, watching the devastating death of George Floyd, awakening more to institutional racism and experiencing all the craziness of a very political year with a high stakes election.

A light in the midst of the year was a gift from another modern quilter I knew only online. Her family who are proud immigrants to this country sent my colleagues and I over 1000 KN95 and other masks for free! I distinctly remember giving some to a fellow physician who was pregnant at the times. She broke down in tears of gratitude because we knew all too well from experience the special risk those initial covid infections held for pregnant people.

This anonymous donor and her family generously gave us these masks even while they were subject to anti-asian hate that has been another plague of covid times.

Amidst the stress of this year, my father, an amazing photographer and incredibly fit hiker suffered an accident while on a hike and unexpectedly lost his life.

To help process all I was experiencing, I designed a quilt of eyes, full of tears looking out at the world . I drew out and paper-pieced/inset circle eyes and covered them with appliquéd tears. To reiterate what the year meant to me I quilted in repeated 2020s like the Groundhog Day experience of the year along with important phrases or abbreviations of the year from my perspective as a health care worker, a daughter and as a citizen. I literally would come home from my shifts in the ER and hand quilt for hours. It was hard but somehow felt necessary. And at the end of it, I hated this quilt that held so many hard memories. In truth I wanted to burn it in a dramatic, cathartic fire (along with all my saved N95 masks).

Gratefully with the urging of others I held on to the quilt and submitted it to Quiltcon.

After my surprise win, I donated the $5,000 winning prize to the charity “Save the Children” as it felt right that a quilt made from sorrow should help allay the sorrow of others.

I ended the hand quilting in my quilt with 2021 instead of 2020 as I wanted the lessons I learned from a hard year to be remembered in the next years forward; that healthcare work even in challenging and scary times is important, that living too much online is not good for ourselves or our country, that systemic racism is a scourge worth fighting against and that resilience in hard times is possible.

The first time I cried real tears for the year was when I received the Best In Show win, a catharsis that I think was the best prize of all.

To all those healthcare workers who lived through this time I see and appreciate you and to all those whose lives were affected directly or indirectly by covid, my heart is with you.

Hillary

Log Cabin Schoolhouse Quilt :: An Ode to Teachers

I suspect that all of us can think of an important teacher or mentor who made a difference in our lives. For my son, it was the High School teacher who when a year was challenging encouraged him to become her TA giving him much needed confidence. For my daughter it was the professor who invited her to join her research project opening up the prospect of new career possibilities. For me, there are countless educators for whom I am grateful. I will never forget the teachers who believed the skinny girl with a weird accent (on both sides of the North/South divide as we moved growing up) could excel in school and the female professor mentors who showed me how to navigate the world of Emergency Medicine when there were so few women in the field to be found.

In honor of all educators for whom the last several years have been particularly challenging, I wanted to make a special quilt. As I delve deeper into this practice of quilt making I find myself more in awe of the quilt makers before me. It felt right to pay homage to their traditional designs while adding my own modern spin. I have always admired the Schoolhouse block though have never made a quilt using it. For this piece in honor of teachers I combined three traditional designs, the Schoolhouse block, the Log Cabin block and Baptist Fan hand quilting. I even quilted it on my traditional Amish made quilting frame trying to mimic the “perfect” six stitches per inch that my foremothers somehow found so easy but which for me is still a work in progress.

For better or worse, I am not a computer quilt designer. These themes and images dance around in my head and go from idea to fabric with little fleshed out other than a partial sketch in between. Such was the case with this project. I realized that I would benefit from paper piecing some bits so hand drew out a few paper piecing blocks and incorporated them into the quilt design.

I hope when people see this quilt they can reflect on the teachers who have made a difference in their own lives and that all educators out there can feel the importance of what they do every day.

Log Cabin Schoolhouse Quilt 75×75″; hand quilted and completed in 2022

Book Review :: Art Quilts Unfolding-50 Years of Innovation

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Art Quilts Unfolding-50 Years of Innovation

Over the last two years I have innumerable conversations with fellow quilters inquiring about a book they knew of that detailed a history of quilting beyond that which we are familiar in the Traditional and Modern realm.  I have wanted to know more about some of my quilting heroes including Nancy Crow, Eleanor McCain, Tom Harding, Michael James and others.  Though identified as a Modern Quilter I find the labels “traditional”, “modern” and “art” quilter a bit limiting and prefer to see all quilters regardless of label as part of a greater collective and movement.  Something that filled in the details of this aspect of our collective quilting history was desired.

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Fast forward to two months ago, I was asked to give my take on a new book coming out from SAQA (Studio Art Quilt Associates) by Sandra Sider, Nancy Bavor, Lisa Ellis and Martha Sielman.  Little did I know that this book was so much of what I was asking for.

 

 

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Art Quilts Unfolding first off is substantial, comprising 350 pages of important history of the Art Quilt movement.  And the quilts . . . I have already spent hours, pouring over the beautiful pieces shown and the text that highlights the artists behind them.  They are stunning and there are so many pieces and artists that I was unfamiliar with.  I truly enjoy seeing the art form change in the chronological order that the quilts are laid out and find this book both the coffee table piece you can just turn the pages of to find inspiration and  the history book that fills in the details of an important quilting movement over the last 50 years.

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The book in addition, goes into different innovations and experimentation that have transformed the Art Quilt movement as well as delving into important publications, galleries and museum collections and collectors through the years.

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There also is a recognition of the Modern Quilt movement and it’s place in the collective history.  I was very excited to see some familiar quilters included in the book.  (Jacquie Gering, Luke Haynes, Chawne Kimber, Joe Cunningham, Ruth McDowell, Maria Shell, Victoria Findlay Wolfe and Natalya Aikens to name a few)

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This year I asked my husband only for books as gifts over the holidays.  Little did I know that I had already been given my favorite book of the year.  Thank you SAQA for such a wonderful publication!  I believe every quilter will find this book fills an important space in their library.

I have included links both to Amazon and to Schiffer Publishing in the text above and also below where the book can be purchased if you are interested.

Art Quilts Unfolding

Art Quilts Unfolding-50 Years of Innovation

Hillary

 

Southwest Modern Blog Hop

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(copyright Lucky Spool Media, LLC: 2017 Kurt Griesbach)

Hey friends!  I am so excited today to share a little about Kristi’s (@initialkstudio on Instagram, http://www.initialkstudio.com ) new book with you.  She had me at pretty pictures, travel info and minimalist modern designs.  The deal was cinched when I got to meet the author at the latest Quiltcon.  Kristi is sweet, humble and a hard worker.  I love all of the above.

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There are so many great designs to pick from in this book.  I settled finally on her Chimney Trail pattern and used some fabric I had indigo dyed last year.  I love the organic vibe the hand dyed fabric brings to the very geometric design and think it stays true to the Southwestern theme.

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I backed the quilt with white quilting cotton and machine quilted horizontal lines.  At the last minute I decided to add some randomly spaced vertical stitching with traditional sashiko thread and needle.  I ran out of time to hand quilt as densely as I would like but will probably add some more with time.  There were a few blocks leftover when I was done that I decided to stitch together and made up some organic pillows.  I can see this combo being well used in the summer weather.

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Kristi’s designs are beautiful to gaze upon and her instructions make them easy to make. I am excited to share a book with one blog reader.

To enter:
1. Follow me (@entropyalwayswins ) and @initialkstudio on instagram
2. You must comment on the blog post to be entered to win. Bonus entries occur for those who comment on my Instagram post.

3. The winner will be announced Monday, March 12th at 5 pm.

Be sure to catch all the amazing bloggers and amazing makes in the blog hop and join in for more chances to win the book.

Also note, that Kristi is having a Grand Prize Giveaway at the end of the blog hop courtesy of the following sponsors.

1. Signed copy of Southwest Modern by Lucky Spool

2. FQ bundle by Robert Kaufman

3. FQ bundle by Me & You Fabrics

4. Southwest Modern Thread Collection by Aurifil

 

Best Luck!

Hillary

Bee Sewcial Theme For October :: Unity

I am the Queen of our Improvisational Quilting Bee this month.  I have had a gazillion ideas but in the end this one feels right.  For this month I want to channel the idea of UNITY by making a quilt that uses long skinny blocks from each of my beemates.  See this tester block as a guide.

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I would like each of you to pick two solid fabric colors, one as the background base block and one as the “adornment” fabric.  I want you to pick a shade of pink or peach and a shade of blue or turquoise each in the medium value range.  Make the peach/pink pick your background fabric and your blue/turquoise pick your “adornment” color.  Please use only the two colors.

My vision is that there will be 10 long blocks all in a row “holding hands” by connecting mustard strips (as you see in the block).  Because I did not think far enough in advance and I want the mustard to match between blocks, I will sew them in BUT you can choose where and what angle the strip goes as long as it is somewhere in the middle third of the block.  Feel free to mark you block with a fabric marker to show me or leave it to me.  Either works.  I want the blocks to represent you somehow-the quilt will proverbially show the 10 of us standing together holding hands as long as you stick to your two colors, (one background and one adornment).

I need only one block from each of you and would like them between 5-7 inches wide and 40-50 inches long.

As always we would love others to join us.  Show us what you make with the theme by tagging on IG #inspiredbybeesewcial.

To Unity!

Hillary

Mary Schafer Exhibit at the Mercer Museum

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One of many things my friend Gwen Marston has taught me is that the quilting community at large is tremendously rich and it’s history important.  In that vein, I want to spread the word that now through August 13th at the Mercer Museum in Doylestown , Pennsylvania  there is a special special exhibit showing: “The Mary Schafer Collection: A Legacy of Quilt History”.

Gwen wrote not one, but two books about her mentor, Mary Schafer, American Quilt Maker and Mary Schafer and Her Quilts (in collaboration with Joe Cunningham).  Ms Schafer is considered an important force behind the resurgent interest of quiltmaking in the 1970s, an expert quilter, a detailed quilt historian and a mentor to many.

If you get the opportunity, don’t miss the exhibit of the work by this important person in textile art.

With permission of the museum I am happy to share a couple of Mary’s Pieces.

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Grapes and Vines : Mary Schafer c 1972, flushing, Genesee County, Michigan; Cotton with Polyester Batting, 88 x 98 ; Photo by KEVA reserved Michigan State University Museum

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Lee’s Rose and Buds: Mary Schafer c 1972, Flushing, Genesee County, Michigan; Cotton with Polyester Batting, 81 x 100; Photo by KEVA, all rights reserved Michigan State University Museum

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What a legacy we quilt makers have!

Hillary

Derivatively Yours

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There is a long tradition of learning by copying. My journey in creativity has been no different. I started quilting several years ago by making quilts by Kaffe Fasset and Malka Dubrowsky using their patterns and their fabrics to make almost identical replicas of their work. Attracted to the aesthetic of the Modern Art Movement and buoyed by my improved skills I soon started designing quilts using artwork seen on Pinterest as guides in my making.

Why is this germaine you ask? Last year I had two quilts accepted and displayed in the Modern Quilt Guild Exhibit at the Houston International Quilt Festival. It was the first Quilt show I submitted anything to. I was so naive to the whole process, as a quilt show virgin I think even Jacquie Gering weighed in on IG and helped direct me to a tutorial on making quilt sleeves. Of the two pieces that were accepted and shown, one piece I call “Life in the ER” was a fairly direct copy of a 1958 poster I reinterpreted in fabric. The other piece “5/325” was highly inspired by the work of Cecil Touchon but certainly not a direct copy of any of his work.

Fast Forward to this month when I have another piece hanging in the Modern Quilt Guild showcase in Houston. This piece, “Bloberella” is a work inspired by many but designed soley by me. In it I see the color inspiration of Gwen Marston, improv piecing techniques of Sherri Lynn Wood and needle turn appliqué learned from Carolyn Friedlander. It is unequivocally improved by the quilting art of Krista Withers.

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There has been significant unease over the Modern Quilt Guild’s recent blog post and discussion about “Derivative works”. As one who has been pretty derivative in the past I welcome the discussion. Clearly everything we make is to some extent “derivative” and I don’t envy the task force of the MQG who will need to parce out what is “too derivative” for consideration in future quilt shows.  For perspective, these copyright topics are not isolated to the MQG and have been evolving in the rest of the world too. I know in day job, I now need to get permission now to use photos by others for lectures. Speaking to my brother who is a photographer if he wants to gain profit from pictures that even display public art he has to get permission from the artist.

To be clear, I have not profited one cent from any of the derivative pieces I have made. In some ways though I have benefitted from standing on the shoulders of the design work of others though also likely have gained the disdain of purists.

This year of making has been one of significant evolution as I have directly steered away from trolling Pinterest and instead have been experimenting, designing, drawing, painting and sewing, sewing, sewing. Designing work from scratch is hard but oh so satisfying.

In all of this I am not suggesting that derivative work will ever go away (indeed there are several directly derivative pieces again on display this year at the International Quilt Festival from what I have seen of pictures). We all should be allowed to grow as quilters and artists and again the normal evolution of that process for most means being derivative. For me however it has become important to move forward and discover my own voice. I am finding that much more satisfying. In my opinion if I want quilting to be considered the art form it is, I owe it that.

Thanks for listening and keep making.

Hillary

Minimalism with Meaning :: The Story of Us

Last September I led our Bee Sewcial group.  My mission was to make two blocks in blacks and whites that said something personal about them.  I asked each member to embrace minimalism in the process.

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The stories they told me were rich and meaningful.  They described loss, triumph, compassion, family, recreation, personal identity.  Honestly I felt a little overwhelmed with the task of putting these meaningful pieces into something worthy of the sentiments.

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In the end, I decided to continue the minimalism theme and connected the blocks with extra negative space.  The words spoken when describing these blocks became the quilting motif in free motion quilted cursive writing (the first I have done this but certainly not the last).  The whole was surrounded with quilted borders and a gilded binding (purl soho mineral linen which sparkles when seen at an angle) to enhance the theme of story.  I want it to read like a well worn and treasured book.

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I hope that I have done these ladies justice in the making of our collective story.  Since it is so hard to read, I have included the quilted words for you below.

 

Minimalism with Meaning :: The Story of US
Positivity engages the negative space :: These are little womb blocks. The white ones represent pregnancy loss which is real but not talked about. The black ones are my obvious births, which are obvious and find it easy to see and talk about. The reason for the one with the white square with the black one is a permanent loss of being able to have a child from one side from the ectopic pregnancy I had in my tube. I love my two children with all my heart and grieve what could have been with my two lost babies :: Tall, strong, bend but not break ::When we are together, we are stronger :: My life can be best described as a wonderful mixture of family, work and my creative pursuits :: When using the right tools you can see things a lot more clearly. For me, it’s glasses (since I was 9) and calm. When life is chaotic for me, I get lost in the details. When I establish calm, I see better :: Frustration. From sun up to sundown I’m frustrated about any and everything and nothing at all :: Embrace: More expansive then a hug and open ended to be all inclusive :: Sometimes I feel like a square peg in a round hole :: A Quilter’s Table because that is me :: For me when it gets too active, too chaotic at some point I shut down and like a clean break BAM nothing gets done, nothing good happens, except I don’t get overwhelmed :: The top row signifies my family in height order and for now in this moment in time I am second in line. The shadow casted beneath our figures represents the amount of care required by each of us at this point in time. It is such a fleeting point of life but such an important one and I know I’ll never make anything as wonderful as my three children :: The pool is my favorite place to exercise so this is my interpretation of the swimming symbol :: Ascend as I am not one to begin anything by taking baby steps. If the stakes are high enough and you are determined success or fail you will take that leap of faith because it is your only option :: I am modern stepped in tradition :: My personal mantra is to look for the positive. light in the darkness as we need that positivity these days :: The balance of keeping focus looking ahead in life instead of behind but also being aware of your surroundings in a broader sense and how occasionally glancing back is a good and necessary thing :: A hint or clue a circle nature’s impossible shape standing out of the expected spot not perfect but industrial modern and minimalist :: In me you will find the place where science and art meet in the middle :: It’s about letting life’s annoyances roll off your back
Bee Sewcial 2015

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Hillary

Mini-Mes

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Last year I was challenged by Catherine (@knittingcatherine on IG) to a mini quilt swap using mostly repurposed or me-made materials.  In typical fashion, my mind came up with several ideas and I am sharing the fruit of 4 such finishes here (all of which let me “try on” different quilting styles I have been eager to test).  There are two other quilts made of my old tshirts that are part of this series but they and the concept of tshirt quilting are worthy of a post of their own.

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For my first quilt I grabbed some dress clothing in linens and silks that I never wear, chopped them up and reconstructed improv style.  They are much more attractive on a quilt then on me.  I also “tried on” some nontraditional hand quilting and made random “ant trails” along the piece.

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For my second quilt I wanted to play with Nicole Daksiewicz’s (Modernhandcraft) appliquéd hexie technique but decided to make my own spin with pieced hexies.  For this quilt I used some of my old scrubs, an orange shirt and a hospital sheet.

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After introducing a tertiary pattern and playing a bunch of designs I came up with the mini quilt below.  This is the one that ended up in Catherine’s hands and I call it “Colliding Migrations”

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For the last two quilts, I used some material I had hand painted over the summer and layered using a raw edge appliqué to show off unusual shapes.  These quilts have a lot of hidden meaning for me involving self reliance and the concept that things are rarely “Black or White”.

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Are these quilts my style?  YES as complex, varied and flawed as my style can be.  Are all of them masterpieces? Nope.  Did I learn from them? Yes, yes, yes!

Have a great weekend.

Hillary

Molly Made Me Do It

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Hi there!  Missed you my friends.  Clearly I have been hanging out on IG (you can find me there @entropyalwayswins) but life has recently gotten a bit busy for blogging somehow.  In any case I wanted to introduce you all to a new quilt I have been working on.

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About a year ago, I was in SF and noticed a building with wonderful long thin windows.  Though I didn’t take a picture, they were similar to these windows here I saw with Stephanie Ruyle and Christine Perrigo in Austin at Quiltcon 2014.

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Fast forward to the last couple months when I pulled out some shot cottons, woven striped fabric and left over bits of yellow fabric and started making some blocks with these windows as inspiration.  I made up a new (at least new to me) piecing technique that I call Tethered Y Seams and intentionally changed the grain orientation on the tops and sides so as to add visual interest.

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The blocks started to get especially fun when using the striped fabric and different angles, giving a fun 3 dimensional effect.

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As I was sharing these on Instagram, someone introduced me to The Chapel of Notre Dame de Haut in Ronchamp by architect Le Corbusier.  Proving that there are few truly new ideas, I had been unintentionally channeling the lovely windows from this amazing building.  And as I was sewing up the last seam on my quilt top, I started to realize how different this quilt top was for me.  SO MUCH PURPLE!  I never use purple.  Absorbed in my pondering,  the amazing quilts of Molly Upton featured at Quiltcon 2016 came to mind.  Somehow this quilt top (though clearly much more humble in execution) reminds me of her work in color and style.  We are subliminally absorbing so much I believe.

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And there it is, a quilt inspired by a local building, a crazy cool church in France and a gifted, now gone Modern Quilter : “Molly’s Windows”.  Now I’m hoping Molly will inspire me how to quilt it.

Hillary